Leaving the West

August 14th, 2011

I was born back east.

Anyone with an ordinary understanding of the geography of the United States will, upon hearing I was born Iowa, immediately wonder about my grasp on reality, and they might be right: a lot of people here question the grip on reality of the greater population of Wyoming, where I used to live. You see, out there, “back east” means anything east of Cheyenne. I lived there for five years, and the sky over the Big Horn Basin shook me loose from my previous understandings of time and space and a whole lot more. I don’t live there any more, but I will never be the same.

I moved back to Iowa to be closer to my family, and, as it turns out, to have a kid, although that wasn’t part of the initial plan. I’m unwrapping the dishes in my house now and getting the news of seven months ago in Wyoming, when I packed them up in the pages of the Casper Star Tribune, the Billings Gazette Wyoming Edition, the Powell Tribune, the Cody Enterprise, and the Northern Wyoming Daily News (sadly no longer called the Worland Grit). I have a canister of bear spray and boots with Wyoming dirt engrained in them. I have a calendar of pictures from the Shoshone National Forest and enough topo maps to paper a room in my new house. I still subscribe to High Country News. But I can hardly bear to look at these things.

Outside my window now I see giant maples, and crickets sing all night, loudly enough that it keeps me awake, loudly enough to drown out the memory of the trucks on WY120, the calves crying for their mamas, the coyotes laughing. I say that word with two syllables now: cuy-yote, not cuy-yote-ee. I don’t look up at the sky at night because I can no longer see the Milky Way. People at work tell me they’re going hiking this weekend, and I’m baffled. Where? How? There is no wilderness here. I keep leaving my car windows rolled down and then riding home with my skirt getting wet, because I forgot that back east, it rains.

Everything is smaller here except for the parking lots. The sun isn’t as bright, and the people all move close together. Only the Amish use horses for work.

It sounds like I hate Iowa, and that’s not true. I was born here; my son will be born here. We will eat tomatoes with our hands in the summer and grow them in our backyard without a greenhouse. We’ll canoe in lazy rivers and dance to music downtown all summer long. We’ll have excellent medical care and all the books we could ever want. But we won’t have stars, or lodgepole pines, or cabins miles from anywhere, or encounter moose or elk.

Some people are born in the place they are meant to be from: it’s as if they got to skip the step where they are merely half a person, floating around waiting to meet their other half. They were made from whole cloth, and they root where they are planted. Others of us, though, are more like the sea creature fossils you can still find here in Iowa (and in Wyoming). I imagine they are dug up from underground and face the light of day and wonder where the water is. They are dried out and at home now on the ground, but surely they remember the ocean.

An Announcement

August 10th, 2011

Dear Internet,

I interrupt the irregularly scheduled programming around here to let you know that I am expecting a baby boy in 2012, due in theory on January 20.

Thank you in advance for your congratulations and good wishes. I am not sure I can recommend moving 1200 miles, starting a new job, getting pregnant, and buying a house all in the course of nine months, but I never like to do anything by halves.

I’ll doubtless write more about all of this, but in the meantime, I just wanted you to know.

Love,
Laura

Things I Learned Listening to Commercial Radio in Eastern Iowa and Western Illinois

July 31st, 2011

My trusty car Viktor is equipped with a radio/tape deck and one of those doohickeys that you plug into your cigarette lighter so you can play your iPod through your radio.

Well. That’s the theory anyway. Last week I pulled the entire cigarette lighter out while trying to unplug my phone charger, and I haven’t been able to fix it. And many weeks before that the eject button on the tape deck fell off, and so the tape that was in there got stuck. This left me with two options to listen to on my trip this weekend:

  1. U2′s Rattle and Hum
  2. the radio

Now, I love revisiting 1988 as much as the next girl with a crush on the long-haired Bono of that era, but I have discovered that it is, in fact, possible to tire of “Pride (In the Name of Love).” That left the radio. There are about three public radio stations I can pick up between here and my grandmother’s house. They were all playing Fresh Air. In succession.

That left commercial radio, about which I have the following observations.

  • The song “Band on the Run” is far, far more popular than it should be, even if Paul McCartney is playing in Chicago this weekend.
  • There are many more songs than I thought that have only one lyric.
  • Astoundingly, I have not yet tired of listening to “American Pie.”
  • While good country music exists, none of it is played on the radio.
  • Everyone seems to like the minute length of their music blocks to match their radio frequency. I wonder if the higher frequencies get less money from advertisers, or if they just make their advertising blocks longer.
  • Soundgarden is now classic rock. And not like early Soundgarden. Like “Black Hole Sun” Soundgarden.
  • Rush is the most popular progressive rock band according to some poll or other. Jethro Tull comes in third. I heard “Thick as a Brick” twice, and that was okay.
  • Someday Billy Joel will die and we will all be subject to more renditions of “Piano Man” than anyone has ever heard in a bar. Or should have to.

Note to self, upon preview: fix your damn theme so the bullet points look nicer!

Driving to Grinnell

July 18th, 2011

Queen Anne’s Lace
corn
cattails

Oxford
Montezuma
Brooklyn
go

West, young man
the man once said once

upon a time
this was the West


That’s what I wrote in my head on the way to Ministries Retreat. I was there to make a little video.

On Father’s Day

June 19th, 2011

My grandfather, who had left my grandmother many years before, killed himself when I was three months old. I never met him, though I’m told he heard my babbling over the phone. My father killed himself when I was five and a half. I have two friends I’ve known long enough that they remember my father, at least a bit. One has never met her father, as her mother left him before she was born. The other has a father who barely acknowledges her and who was never married to her mother, though he has been married to a number of other people over the years.

I’ve never been too keen on Father’s Day as a result. I pass it off as part of my eternal hatred of holidays perpetuated by the greeting card industry, but in point of fact, I have perhaps understandably mixed feelings about the whole notion of fatherhood, and precious little experience with it myself.

When I was in fourth grade, there was a girl in our school whose mother was dying of cancer. We all made cards for her, at the instruction of our teachers, and everyone was terribly solicitous toward her. It was terrible for her — I knew that even then — but at the time my primary emotion was envy. She had a parent dying and people knew about it and understood it. Her mother was dying for a reason. I thought nobody knew how my father died, and I didn’t want anyone to find out. I was convinced it would simply brand me as crazy.

In years since, of course, I’ve come to know many good fathers — fathers of friends, and, now that I am older, friends who are fathers. They are to a man good men and good fathers, and I’m honored to have their friendship.

And I was lucky in many ways: I did not have my father for long, but for the five and a half years he was here, I had the best father a little girl could ever have wanted. He was never the dependable parent — he was famous for running out of gas, or for getting on the wrong bus, or for forgetting crucial things like my breakfast — but he was good and true in many other ways, and he loved me and he loved my friends, and he did some of the things their fathers were not there to do, giving them rides home and taking us to story time at the public library, and buying us rainbow sherbet afterwards.

But on this Father’s Day I’d like to take a moment to remember absent fathers, difficult fathers, even bad fathers. We carry their genes with us, even if we don’t know how or what they mean. I’ve been told I wash my hands the way my father did, for instance, and I know that I got his hair, and his temper. Who knows what other bits of him are lodged within me, or what bits of the fathers they never knew are lodged within my friends?

Those of us without fathers still, somewhere, had a father, and I believe we still honor that, or that we have to find some way to, because you can’t, as Malcolm X once said, hate the root of the thing and not hate the thing itself. I can’t, of course, actually speak for anyone else here, but I cannot hate my father. He was difficult at the best of times, and of course he left me in the most final way possible. But I cannot, and do not, hate him.

And so today I remember John M. Crossett Jr., professor, printer, doubles tennis player, drinker, pipe smoker, tyrant, and, most importantly, father. Much love to you, Daddy, wherever you are.

 

A Woman and A Courier: On the Death of Osama bin Laden

May 2nd, 2011

I heard the news at 7 in the morning, driving home from my boyfriend’s house in that half-asleep 7 in the morning way. I was looking at the trees which seemed to have budded overnight, half listening to whatever overplayed thing they were playing on KSUI. Then the news came on. Osama bin Laden was killed by US troops at a compound in Pakistan. One of bin Laden’s sons and a woman and a courier were also killed.

The report went on. The President was pleased. The United States acted alone in this endeavor, without the knowledge or cooperation of other nations in the region. Bin Laden wasn’t actually living in a cave! He was in a multi-million dollar compound! The President talked in his sonorous way about the closing of a chapter, about a small group of US forces acting on his orders, with great care.

By the time I got home, they’d moved on to speculation and history. Would it really be possible to get aircraft into the compound unnoticed? Was Pakistan actually in on the arrangement because they were sick of dealing with bin Laden? A reporter talked about his childhood and his education and his turn to radical Islam. The 1998 attacks on the World Trade Center were mentioned. Bill Clinton spoke about that, out of the past, via a clip, sounding rather young. September 11. Tora Bora. Manhunt. Movements.

Then there were the celebrations — people singing the National Anthem outside the White House, people chanting USA! USA! USA! at a baseball game. My email brought a newsletter from a wine store urging me to raise a glass to the death of bin Laden.

No one mentioned the woman and the courier. I started to wonder if I had misheard. Maybe it was just the big guy, and I could worry simply about the ethical implications of assassination and not about what they call collateral damage. But no. The BBC says it was two couriers, two couriers and a woman. She was trying to be a human shield. She was like a woman in the Bible — no name, no job, just a tiny role in history. A woman at a well. A human shield.

Sometime on the afternoon or evening of September 11, 2001, after I finally dragged myself off my couch, where I’d felt pinned all day by Neal Conan blasting NPR listeners with the news, and even chastising one who suggested perhaps revenge was not the best option, I made a peace sign with masking tape on the window of my apartment. It stayed there till I moved out two years later. I felt ill that day because I knew we were going to war. I feel ill today because we did, and because we are still there.

People tend to regard pacifism as foolish at best and morally unforgivable at worst. Friends and strangers have told me it is a lazy philosophy. I suppose it is lazy, in that the answer to “should we go to war?” is always no. But it is not an easy philosophy to live with. You have to live with the idea of evil. You don’t get to think, “Well, of course I would have taken a shot at Hitler if I’d had a chance.” You feel sickened when your country kills someone, and you feel alienated from your country because everyone else seems. . . happy.

Lest there be any doubt, let me note for the record that I do not think bin Laden was a good guy. I do not defend his actions or his beliefs. But neither can I rejoice at his death, just as I cannot ignore that throwaway line at the end of the news report I first heard: a woman and a courier were also killed.

The passive voice takes away agency, but it cannot take away responsibility. The deaths caused in the name of one’s country are also one’s own. I’ve never learned how to handle that.

Swimming

March 29th, 2011

I was taught to swim crawl in 6/8 time. Your legs were to be ramrod straight, working up and down like a pair of metronomes. ONE two three FOUR five six. On one your right arm hit the water; on two and three it pulled you forward until suddenly on four your left arm hit, and all the while your legs were beating away, one two three, four five six, one two three, four five six. Your arms came up in a particular way, too: elbow first out of the water, and then hand arching forward. You turned just your head to breathe, not your shoulders or any of the rest of your body. And your legs kept going in time, one two three, four five six, one two three, four five six.

I have a hard time referring to crawl as freestyle.

After age twelve, I stopped taking swimming classes at camp and just swam laps on my own. For several years, I stopped swimming crawl at all. It was all breaststroke all the time for me, with occasional lapses into sidestroke or my very favorite swimming guilty pleasure, elementary backstroke. (That had instructions, too: monkey! airplane! soldier! monkey! airplane! soldier! But you got to lie on your back when you did it, and the instructions were fun.)

Somehow, though, I got tempted back into crawl. Tempted might be the wrong word. I felt I should swim it. I was ashamed of not being able to do it. There I was, down at the docks every day, logging in ten or even twenty miles in a summer, and I wasn’t swimming crawl? It seemed terrible. So I started thinking about it again.

Then I tried to do it.

It was horrible. I was out of breath and just yards from the dock (we swam between two docks that were far enough apart that it took three laps to cover a quarter mile. It was wonderful, except of course when you were running out of breath). I must have given up for awhile.

Then I tried again but decided to maybe ditch the whole 6/8 kicking thing. No one was watching me, and I wasn’t in class. Maybe they wouldn’t notice if I didn’t kick in time, or if I kicked less. Then one day I wondered what would happen if I didn’t kick at all. That was the day I discovered what is now my very favorite nonexistent stroke: crawl arms. You just do the arms for crawl, and you don’t kick. I swam that way for years. I still swim that way a lot of the time. A lap of crawl arms, a lap of breaststroke: that’s my pool routine these days. I’m a grownup now, and really nobody cares how I swim.

I was thinking about all of this as I was swimming this morning, trying, as I occasionally do, a little of the old 6/8 time crawl and scoffing silently to myself at the people who bend their knees when doing flutter kick. (Of course they’re all faster than I am — everyone is — but I have to do something to maintain my sense of swimming prowess.) I love crawl arms, and it’s how I mostly swim, but I know in my heart of hearts it isn’t really enough for me. Back when I was a teenager, I gradually worked my way up from crawl arms to something more like real crawl. My goal was to do a quarter mile of real crawl, which was one of the requirements for the next swimming and canoeing honor, the one I wasn’t going for because it involved diving, which I knew I couldn’t do, and canoeing with a single partner all summer, and I didn’t have any friends. But I wanted to see if I could do this part.

I did, finally, one summer. One quarter mile of crawl. Not in 6/8 time, but kicking all the way. I wanted some notice or some recognition, but I’m not sure I even ever told anyone. I’d never done it before, and I’ve never done it since. I’ve slacked off, instead. There were years when I didn’t swim at all.

Now I’m a regular — well, as regular as I am about anything. One or two or three days a week I’m at the pool, doing my half mile. Crawl arms, breaststroke, crawl arms, breaststroke, and once in a great while a foray into actual crawl. This morning, after my 6/8 time experiment, I decided to do a breathing-on-the-other-side experiment, because I also do yoga, and you’re always supposed to do everything on each side there. It was a disaster. I stopped before they’d think I was drowning. I simply cannot breathe turning my head to the left. Somehow, though I can easily look over my left should here on dry land, I cannot do it in the water.

I am not heavily into challenging myself. I live again in the place I grew up in part because, when thinking about moving back to the Midwest, I thought that at least then I could go back to using the same tire place and the same coop and going to the same DMV that I’m used to, and I wouldn’t have to find all those things all over again in yet another new town. I’ve never been one to push on to bag a peak when hiking, and I almost undoubtedly ride the clutch too much when driving stick shift. (I want to be one of those people who prefers driving stick, but I think really I’m just not.)

I’ve been swimming again regularly now for a few years, and once in awhile I get the idea that I ought to try to accomplish something: swim a certain distance, learn butterfly, get back up to a quarter mile of crawl. But I don’t. But I do keep swimming, getting back in the pool, pulling myself back and forth through the water with my own arms and legs, never getting really much faster or much slower, just going back and back and back again, like Camus’s happy version of Sisyphus, who always has something to do, in a place where no one can ask me to do anything else.

Just Tell Me If You Get Another Car

February 6th, 2011

I’ve been driving around town — specifically my town, my home town, this town of Iowa City that I so recently moved back to after seven years away. I’ve been driving around town, and I’ve been thinking of how to answer the question posed to me by a friend recently — posed by a lot of people, actually — about what it’s like to be back, and how it’s different from Wyoming. I haven’t had much of an answer for them. I drive more places here. Things are more available and yet strangely more trouble to get, perhaps because the possibility of getting them is easier, and so it seems harder to do without. It is not nearly as sunny. But these didn’t seem like answers. Then yesterday, while not driving, I heard — that is really heard — this Dresden Dolls song [bonus: excellent live version on YouTube].

i’ve been driving around town
with my head spinning around
everywhere i look i see
your ’96 jeep cherokee. . . .

the number of them is insane
every exit’s an
ex-boyfriend memory lane
every major street’s
a minor heart attack. . . .

The singer is talking about being haunted by an old relationship in the form of a Jeep. Coming back to your home town is just like that, except that instead of a single relationship, it’s almost everything that happened in the first twenty-seven years of your life, and instead of a Jeep, it’s every fucking house and building and alley and tree you pass.

It’s not all bad. I’ve had many good times in this town — more good than bad, on the whole. But it’s all so there. It’s like having an Advent calendar where every day you open a door, but instead of an unknown surprise you get the surprise of recognition, the thing you’ve known but not thought about, or the thing you used to know but don’t quite any more because the color has changed, or the thing that you keep trying to forget. Everyone drives the same truck, but of course it’s not the same truck, because though they all remind you of the truck, none of them is it. Even the truck itself is no longer the truck it once was. And yet they all have an emotional impact like being hit by a truck. There’s philosophy in all of this, of course — the pleasure of recognition and the same river twice and something about reality and illusion and the idea of objects and memory and maybe even mechanical reproduction and other things that I don’t really understand because I never actually studied philosophy or literary theory and all I got out of reading Foucault is people have come up with some pretty appalling ways to treat other human beings.

But I’m a primary text kind of girl, and this city seems to be my primary text, for all that it changes.

When she was pregnant with me, my mother spent a lot of time in this city trying to pin down a text about a river. (That the irony and the symbolism of this is only now striking me is perhaps as good an argument as any for why we must come back over and over to these texts before they exhaust what they have to teach us.) The river was the Mississippi; the text was Mark Twain’s Life on the Mississippi. Her job was to find every version of the text she could and figure out whether Twain meant to use a semi colon or a comma, whether he preferred school house or school-house or schoolhouse, whether he meant blackness or darkness. The result was this three volume behemoth that you can get from the University of Iowa library (it was supposed to be published as part of a big project, but the big project ran out of money). She found out — or decided — what Twain meant to write in all those instances, and now that text is fixed, very much unlike the river he wrote about, which, as he acknowledged, was changing even as he wrote.

My town has a river that feeds into the Mississippi, and like the Mississippi, it has changed. And it has changed my town, flooding badly twice in my life, once in the summer of 1993, when I lived here, and once just a few years ago, when I was in Wyoming. That second flood in particular changed things. The whole music and art complex at the University was flooded, and many of those departments are still in temporary quarters, some of which have become semi-permanent. The buildings are still there, but they may never again be the buildings I used to run around in as a kid, pounding on pianos and reading the graffiti in open practice rooms and writing melodies on the chalkboards pre-printed with musical staffs.

The old houses around downtown that have been divided up into apartments are still there, but I can no longer aspire to be a twentysomething graduate student living in one of them, because I’ve done that, and I am older now, and changed.

So I just drive around, looking at the houses where I once knew people and the buildings I once ran around in and the things that ought to be there that aren’t there any more and the things that never were there that have now appeared. And I run into people whom I knew, or who knew me, or know my mother, whose lives intersected with mine back when both our lives were different. And people say to me, “Oh, small world!” or sometimes, “Small town,” and those are true, of course, but the feeling is not that. It’s that I’m continually surprised that the past is not prologue, as someone in Shakespeare said, or not just prologue. It is also present.

When I was seventeen, I read Mrs. Dalloway for the first time, and I was floored by it. Floored for a lot of reasons, but floored mostly that there was Mrs. Dalloway, fifty years old, with a husband and a daughter and a house and a party to throw, and she spends a big chunk of the book thinking about the summer she was eighteen. Grown ups were so dismissive of teenagers when I was one that I assumed they must be dismissive of their own teenage years as well. And yet here was proof — proof at least that in fiction, at least in this case, those years were still there. You can go home again. You do go home again, like it or not, or home comes back to you, willy-nilly.

A lot of people move away from their home towns for just this reason. It keeps you, at least, from seeing the Jeep. But I can’t seem to do that. I keep looking — looking at those houses and alleys and buildings and trees. So yeah. Don’t tell me if you get another girl, baby. Just tell me if you get another car. I’ll be looking.

Bon Voyage

October 10th, 2010

Part of the ritual of leaving on a trip, at least if I am flying, is driving to Cody in the dark. Most flights out of COD leave early in the morning, which gives you a passing shot at making a connection in Denver or Salt Lake City, the only places you can fly to directly. So I get up in the dark, carry the last of my garbage out back to the dumpster, throw my bags in the car, and head out.

I could see just the faintest shimmer of the Milky Way outside my yard this morning, and the first half of my trip, along the river valley, up and over the rims, down to the halfway stage stop, was lit only by the stars and the occasional faraway light on a ranch. Around that time the very edge of the sky behind me started to turn gray. It’s funny to me that dawn starts out gray but sunsets don’t end that way. I saw perhaps five cars headed the other way on my drive, which suggests in part our rural existence but also suggests I was driving at the wrong time to catch the morning shift at the oil field, so it’s not all bucolic bliss.

The Cody airport is tiny — it’s about the size of the Cedar Rapids airport, many years ago, before it was remodeled. A Delta affiliate and a United affiliate fly from here, and, as mentioned, you can go to DEN or SLC. I always try to go to Denver, since that airport has free wifi and since my godparents live there, so if I get stuck, I have place to say.

Right now I’m sitting in the lobby, waiting for them to open up the security line. This is the only security checkpoint I’ve been through that has a bootjack, and it cracks me up every time. Fox News (of course) is playing, going on about how they can’t believe that NOW would endorse Jerry Brown after his wife called Meg Whitman A Name and the possibility of The Government banning cell phones in cars. It’s strangely fascinating. I’m particularly fascinated by the backdrops behind the news anchors, which are like static laser light shows. And to think I was impressed as a kid by the CBS newsroom in Chicago. There were typewriters then. Typewriters!

I’m off on this trip to visit friends and family all over the Midwest (Illinois, Iowa, Minnesota, possibly Wisconsin, Indiana, and Michigan). Google tells me I’ll be driving 27 hours over the course of two weeks. Many people seem horrified by this, but it sounds good to me. I think I was a truck driver in a different life.

In a matter of hours, I’ll be landing at O’Hare, smelling fumes of many, many cars for the first time in many months, walking through an airport with more people that I usually see in a week. A man in hunting gear is loading four coolers onto the baggage check counter, presumably with the spoils of his trip. It’s a different world out here, to be sure.

On Home

September 28th, 2010

Half a century later, I barely recognize it
when I search the address on Google Maps
and, via “Street view,” find myself face to face—

foliage overgrown, facade remodeled and painted
a drab brown. I click to zoom: light hits
one of the windows. I can almost see what’s inside.

–from “9773 Comanche Ave.” by David Trinidad

None of my childhood homes are available on Google’s street view yet, which amuses me, as the house I’m in now, in podunksville, is there. But I discovered in my search that one of them, the house we moved to when I was eight and stayed in till I was twelve, is for sale. It’s funny to see your old house, many owners and coats of paint later, for sale, staged by some real estate agent, some things gone, some of the features you added–the wood floors upstairs–now advertised, the window of your bedroom over the garage where you once snuck out at night. I remember helping write copy for the ad we placed for that house when we sold it so long ago. The current ad, sadly, preserves none of my excellent phrasing about the nearness to the park and the nature of the trees in the yard. (Actually, I doubt those things made in to the ad when I was twelve, either, but my mother was good at humoring me.)

The park is still there, but the trees have changed, and the fence is gone, and house is painted a different color. It looks better now, in truth, but it’s not a house I really loved at the time or would ever want to go back to. No, the house I keep hoping to find again, the rooms I keep searching for, the place that still truly says home to me is the house we lived in when I was very, very little, when my father was still alive.

The house had a great many problems, but at ages zero through four, they were mostly lost on me. I did not notice that we had only a clawfoot tub in the bathroom, and that if you wanted to take a shower, you were relegated to a Sears shower stall in the kitchen. I did not notice the peeling wallpaper, the drafts, the door that led outside to a steep dropoff, which confused my mother for many years until the people who eventually bought the house restored the wraparound porch, and suddenly a second door onto the porch made sense. I didn’t really notice any of this: it was just the house where we  lived.

It was a block and a half from the college where my father taught. The college, in a sort of ür-liberal arts college fashion, sat on top of a hill, and at the bottom of the hill, by the sidewalk, was a stone wall that functioned as a sort of terrace between the town and the college proper. In my memory, it is a very tall stone wall, although since I have been back, I realize it is perhaps two feet at most. But in the autumn when I was very little, my father and I would stand or sit on the wall with tall sticks and “fish” for leaves. It is the only fishing I have ever done, and I hesitate to do any real fishing for fear that it would not live up to the original.

There was a garage to the side of the house — one year my father bought my mother an automatic garage door opener for her birthday, and she was deeply irked — and a barn behind it, leftover from when the house was built, in the 1880s, and people still needed barns. It served no real barnlike function, but it did house a great many students bicycles during the winter months. It was a sort of bicycle stable — all late 1970s racing bikes, the sort that Jennifer Beals rode in Flashdance – a thoroughbred stable of bikes. Between the barn and the house my mother had a vegetable garden, and we had a lawn where our friends planted a cherry tree in honor of my christening. The cherry tree is long gone now. Our tenants after we moved to Iowa City kept trying to start cuttings from it for us, but they never survived, and the tree eventually fell to the ravages of time, but for many years our neighbors Dr. John and Mrs. Mary made cherry pies from its harvest every year.

We had two living rooms in the house in Mount Vernon: I suppose at one time they were a front and back parlor. The front living room is where my parents entertained, and I was not allowed to have my toys in there, although I was allowed to hang around when people came over, at least for awhile. I was puzzled by grown up drinks — they sat there with what seemed to me rather small glasses of fluid and then drank them for hours. I would have drained a cup like that in seconds flat. Given the preponderance of alcoholics in academia, and the story my mother tells of a night when they had a party and everyone decided suddenly it would be a good idea to go to Iowa City, twenty miles away, and so they all did, piling into cars and leaving the lights and the stereo on and the doors wide open, I wouldn’t be surprised if some of them were draining their glasses of bourbon in seconds flat, but I never saw it. They seemed to sip.

The back living room contained a number of books, an odd oil portrait of my mother that my parents won at a raffle or auction of some sort, and the corner that was my father’s–a Swedish modern armchair and a hassock, his pipestand, and a small black and white television where he watched football and tennis. I spent as much time as possible sitting on his lap, unless of course my mother was baking, or I needed a balloon that Daddy had blown up tied off, in which case I had to get my mother to do it.

My room, when my parents moved into the house, had had red walls and bright red shag carpeting. My mother decided this was not the place for a baby, and so they had it recarpeted in a soft green, and they painted the walls white, except for one wall that was a pale green, as they’d run out of white paint. The drapes were a dark green and white pattern. I remember the house as having arched windows, although I realize now it was simply that there were arched shapes inlaid in the rectangular windows. My parents slept down the hall from me, and it was my great goal in life to convince them that I was a cat so I could sleep on the bed. Our cat Moby Tom was allowed to sleep on their bed, but I was not, which struck me as unfair, so I would crawl up and curl up as small as I possibly could.

We were poor when we lived in that house, or so I am told. My mother grew vegetables and made applesauce from windfall apples and made her own Bisquick and made all our bread, though that had more to do with my father’s unwillingness to eat storebought bread than with money saving. It was the first and only house my father ever owned, purchased in his late 40s or early 50s, and when we moved to a rental house in Iowa City, he insisted that we had to rent it out, too, instead of selling, because he couldn’t bear to part with the only house he had ever owned.

Daddy died a year after we moved to Iowa City, where we lived in a tiny, shoddy rental house on Rider Street. I was only four and a half when we moved there, and its flaws were no more apparent to me than those of the house in Mount Vernon. It was tiny, but it had an enormous backyard, and there was a girl two houses away who would play with me, even though she was several years older. There were rosebushes and a strawberry patch and a mulberry tree that straddled the line between us and our neighbors, and on my birthday, a few of my friends came over and we had a party. But when I think of my father in that house, I see him stooped, as if the house itself were too small for his 6’1″ frame. He injured his hip when we lived in that house, and had to use a walker for some time, which meant going down its hallways sideways, as they were too narrow for the walker to fit head-on. I know, of course, that the house didn’t kill him, but it is hard not to see it as some sort of factor in his decline.

Perhaps because my father died when I was so very young I remember a great deal about my early childhood in our first house — the ghost stories my father told me about the laundromat, the placement of my crib and later my bed in the green room that used to be red, the windowseat in my father’s office where I sometimes napped, the room where my mother had an ironing board and her sewing machine set up, our neighbor’s dog, Brink, who chased our cat Moby Tom up the telephone pole so many times that they finally kept him chained, and I brought him a piece of balogna every time we went to the butcher shop and fed him my hotdog peels. I remember sitting on the stone curb of our driveway when their kitchen caught on fire, and my mother telling me to Stay Put as she ran across their yard. I sat and watched the firemen run in and out from their truck. In those days, fire trucks were still fire-engine red, not the yellow-green they are today, and that color perhaps sums up everything I have to say about Mount Vernon — the old water tower that I called the pea on toothpicks, the red and green tennis courts, the limestone walls, the computer at the college that occupied a whole room, the way I shuffled through the leaves in the fall in my red and green Winnie the Pooh sweatshirt with the hood pulled up, holding my father’s hand.