Iâ€™m so sorry I never got to write to you. I thought about it a million times. I wrote about you (or rather about your work) in one of the earliest posts on this site, back when it was just a website where I hand-coded html files and then ftped them to my site, hosted by my local ISP, via a 28.8 modem.It was about Bitch, a book I still love, despite its messiness. It occurred to me the other night that you were quite possibly the first person to say that Hillary Clinton should have said, back in the day, â€œyes, I am a bitch, so what?â€, thus predicting a debate weâ€™re still having about how angry women are allowed to be.
I quoted you on Bob Dylan and the sound of redemption back when I was pregnant, an assessment I have always agreed with.
I once stayed a night or two in an apartment building on the Upper West Side that I am almost certain was the one you grew up in, but I didnâ€™t ring what I thought was your motherâ€™s buzzer to find out because Iâ€™m not a jerk.
I bought More, Now, Again on my next trip to New York a couple of years later, just after it came out, because I saw it in a display in a bookstore I walked into, and I hadnâ€™t seen it here yet at home.
I thought about writing you so many times to say what Prozac Nation meant to me, to tell you it was the first thing I read about depression that reflected how it truly felt to live inside my head, to say how it allowed me to be depressed and angry and love rock and roll and be all the things William Styron wasnâ€™t, because though Darkness Visible was a beautiful book, he was an old man whose life I couldnâ€™t imagine, whereas you were like someoneâ€™s cool older sister, just six years older than I am, the kind of person whoâ€™d be home from college on winter break when you were over at your friendâ€™s house and who might magically talk to you or play you some music or tell you what to do with your hair. But then I didnâ€™t, because I didnâ€™t get around to it, and because I figured you got a million letters like this a day, and who needed one more?
Then you wrote that piece about copyright for the Wall Street Journal and I thought about writing you to tell you how wrong you were, because Iâ€™m a librarian and I have opinions about copyright. But I didnâ€™t get around to it, and then months had passed, and I had a little kid by then, and what was the point.
Earlier this week I learned that youâ€™d died. I was looking at the books session of the New York Times online because I have to give a talk about the best books of 2019 and I figured Iâ€™d kill some time on the desk by looking at their lists, and there it was â€” Elizabeth Wurtzel, â€˜Prozac Nationâ€™ author, is dead at 52. It was so stark. I told myself not to cry. I read the Times obituary, and then I read all the other remembrances and obituaries I could find, and then I came home and got out my copy of Prozac Nation, which I stole from my momâ€™s house one summer because I liked the cover image, and I looked inside the cover, because I used to have this thing of writing down where and when Iâ€™d read and reread a book, and I saw the first entry: On the road, August 1996. A few months later Iâ€™d slide into my first major depressive episode, or at least the first one that was identified as such to me. How did I know?
I wish I could write to you now just to tell you of that discovery. I started rereading it that night, and on almost every page there was a sentence that made me wish I could write to you about something. Yes, yes, me too, me too, me too. And God, yes, what a beautiful sentence that is.
Iâ€™m sorry I never got to do that.