A Woman and A Courier: On the Death of Osama bin Laden

May 2nd, 2011

I heard the news at 7 in the morning, driving home from my boyfriend’s house in that half-asleep 7 in the morning way. I was looking at the trees which seemed to have budded overnight, half listening to whatever overplayed thing they were playing on KSUI. Then the news came on. Osama bin Laden was killed by US troops at a compound in Pakistan. One of bin Laden’s sons and a woman and a courier were also killed.

The report went on. The President was pleased. The United States acted alone in this endeavor, without the knowledge or cooperation of other nations in the region. Bin Laden wasn’t actually living in a cave! He was in a multi-million dollar compound! The President talked in his sonorous way about the closing of a chapter, about a small group of US forces acting on his orders, with great care.

By the time I got home, they’d moved on to speculation and history. Would it really be possible to get aircraft into the compound unnoticed? Was Pakistan actually in on the arrangement because they were sick of dealing with bin Laden? A reporter talked about his childhood and his education and his turn to radical Islam. The 1998 attacks on the World Trade Center were mentioned. Bill Clinton spoke about that, out of the past, via a clip, sounding rather young. September 11. Tora Bora. Manhunt. Movements.

Then there were the celebrations — people singing the National Anthem outside the White House, people chanting USA! USA! USA! at a baseball game. My email brought a newsletter from a wine store urging me to raise a glass to the death of bin Laden.

No one mentioned the woman and the courier. I started to wonder if I had misheard. Maybe it was just the big guy, and I could worry simply about the ethical implications of assassination and not about what they call collateral damage. But no. The BBC says it was two couriers, two couriers and a woman. She was trying to be a human shield. She was like a woman in the Bible — no name, no job, just a tiny role in history. A woman at a well. A human shield.

Sometime on the afternoon or evening of September 11, 2001, after I finally dragged myself off my couch, where I’d felt pinned all day by Neal Conan blasting NPR listeners with the news, and even chastising one who suggested perhaps revenge was not the best option, I made a peace sign with masking tape on the window of my apartment. It stayed there till I moved out two years later. I felt ill that day because I knew we were going to war. I feel ill today because we did, and because we are still there.

People tend to regard pacifism as foolish at best and morally unforgivable at worst. Friends and strangers have told me it is a lazy philosophy. I suppose it is lazy, in that the answer to “should we go to war?” is always no. But it is not an easy philosophy to live with. You have to live with the idea of evil. You don’t get to think, “Well, of course I would have taken a shot at Hitler if I’d had a chance.” You feel sickened when your country kills someone, and you feel alienated from your country because everyone else seems. . . happy.

Lest there be any doubt, let me note for the record that I do not think bin Laden was a good guy. I do not defend his actions or his beliefs. But neither can I rejoice at his death, just as I cannot ignore that throwaway line at the end of the news report I first heard: a woman and a courier were also killed.

The passive voice takes away agency, but it cannot take away responsibility. The deaths caused in the name of one’s country are also one’s own. I’ve never learned how to handle that.

Swimming

March 29th, 2011

I was taught to swim crawl in 6/8 time. Your legs were to be ramrod straight, working up and down like a pair of metronomes. ONE two three FOUR five six. On one your right arm hit the water; on two and three it pulled you forward until suddenly on four your left arm hit, and all the while your legs were beating away, one two three, four five six, one two three, four five six. Your arms came up in a particular way, too: elbow first out of the water, and then hand arching forward. You turned just your head to breathe, not your shoulders or any of the rest of your body. And your legs kept going in time, one two three, four five six, one two three, four five six.

I have a hard time referring to crawl as freestyle.

After age twelve, I stopped taking swimming classes at camp and just swam laps on my own. For several years, I stopped swimming crawl at all. It was all breaststroke all the time for me, with occasional lapses into sidestroke or my very favorite swimming guilty pleasure, elementary backstroke. (That had instructions, too: monkey! airplane! soldier! monkey! airplane! soldier! But you got to lie on your back when you did it, and the instructions were fun.)

Somehow, though, I got tempted back into crawl. Tempted might be the wrong word. I felt I should swim it. I was ashamed of not being able to do it. There I was, down at the docks every day, logging in ten or even twenty miles in a summer, and I wasn’t swimming crawl? It seemed terrible. So I started thinking about it again.

Then I tried to do it.

It was horrible. I was out of breath and just yards from the dock (we swam between two docks that were far enough apart that it took three laps to cover a quarter mile. It was wonderful, except of course when you were running out of breath). I must have given up for awhile.

Then I tried again but decided to maybe ditch the whole 6/8 kicking thing. No one was watching me, and I wasn’t in class. Maybe they wouldn’t notice if I didn’t kick in time, or if I kicked less. Then one day I wondered what would happen if I didn’t kick at all. That was the day I discovered what is now my very favorite nonexistent stroke: crawl arms. You just do the arms for crawl, and you don’t kick. I swam that way for years. I still swim that way a lot of the time. A lap of crawl arms, a lap of breaststroke: that’s my pool routine these days. I’m a grownup now, and really nobody cares how I swim.

I was thinking about all of this as I was swimming this morning, trying, as I occasionally do, a little of the old 6/8 time crawl and scoffing silently to myself at the people who bend their knees when doing flutter kick. (Of course they’re all faster than I am — everyone is — but I have to do something to maintain my sense of swimming prowess.) I love crawl arms, and it’s how I mostly swim, but I know in my heart of hearts it isn’t really enough for me. Back when I was a teenager, I gradually worked my way up from crawl arms to something more like real crawl. My goal was to do a quarter mile of real crawl, which was one of the requirements for the next swimming and canoeing honor, the one I wasn’t going for because it involved diving, which I knew I couldn’t do, and canoeing with a single partner all summer, and I didn’t have any friends. But I wanted to see if I could do this part.

I did, finally, one summer. One quarter mile of crawl. Not in 6/8 time, but kicking all the way. I wanted some notice or some recognition, but I’m not sure I even ever told anyone. I’d never done it before, and I’ve never done it since. I’ve slacked off, instead. There were years when I didn’t swim at all.

Now I’m a regular — well, as regular as I am about anything. One or two or three days a week I’m at the pool, doing my half mile. Crawl arms, breaststroke, crawl arms, breaststroke, and once in a great while a foray into actual crawl. This morning, after my 6/8 time experiment, I decided to do a breathing-on-the-other-side experiment, because I also do yoga, and you’re always supposed to do everything on each side there. It was a disaster. I stopped before they’d think I was drowning. I simply cannot breathe turning my head to the left. Somehow, though I can easily look over my left should here on dry land, I cannot do it in the water.

I am not heavily into challenging myself. I live again in the place I grew up in part because, when thinking about moving back to the Midwest, I thought that at least then I could go back to using the same tire place and the same coop and going to the same DMV that I’m used to, and I wouldn’t have to find all those things all over again in yet another new town. I’ve never been one to push on to bag a peak when hiking, and I almost undoubtedly ride the clutch too much when driving stick shift. (I want to be one of those people who prefers driving stick, but I think really I’m just not.)

I’ve been swimming again regularly now for a few years, and once in awhile I get the idea that I ought to try to accomplish something: swim a certain distance, learn butterfly, get back up to a quarter mile of crawl. But I don’t. But I do keep swimming, getting back in the pool, pulling myself back and forth through the water with my own arms and legs, never getting really much faster or much slower, just going back and back and back again, like Camus’s happy version of Sisyphus, who always has something to do, in a place where no one can ask me to do anything else.

Just Tell Me If You Get Another Car

February 6th, 2011

I’ve been driving around town — specifically my town, my home town, this town of Iowa City that I so recently moved back to after seven years away. I’ve been driving around town, and I’ve been thinking of how to answer the question posed to me by a friend recently — posed by a lot of people, actually — about what it’s like to be back, and how it’s different from Wyoming. I haven’t had much of an answer for them. I drive more places here. Things are more available and yet strangely more trouble to get, perhaps because the possibility of getting them is easier, and so it seems harder to do without. It is not nearly as sunny. But these didn’t seem like answers. Then yesterday, while not driving, I heard — that is really heard — this Dresden Dolls song [bonus: excellent live version on YouTube].

i’ve been driving around town
with my head spinning around
everywhere i look i see
your ’96 jeep cherokee. . . .

the number of them is insane
every exit’s an
ex-boyfriend memory lane
every major street’s
a minor heart attack. . . .

The singer is talking about being haunted by an old relationship in the form of a Jeep. Coming back to your home town is just like that, except that instead of a single relationship, it’s almost everything that happened in the first twenty-seven years of your life, and instead of a Jeep, it’s every fucking house and building and alley and tree you pass.

It’s not all bad. I’ve had many good times in this town — more good than bad, on the whole. But it’s all so there. It’s like having an Advent calendar where every day you open a door, but instead of an unknown surprise you get the surprise of recognition, the thing you’ve known but not thought about, or the thing you used to know but don’t quite any more because the color has changed, or the thing that you keep trying to forget. Everyone drives the same truck, but of course it’s not the same truck, because though they all remind you of the truck, none of them is it. Even the truck itself is no longer the truck it once was. And yet they all have an emotional impact like being hit by a truck. There’s philosophy in all of this, of course — the pleasure of recognition and the same river twice and something about reality and illusion and the idea of objects and memory and maybe even mechanical reproduction and other things that I don’t really understand because I never actually studied philosophy or literary theory and all I got out of reading Foucault is people have come up with some pretty appalling ways to treat other human beings.

But I’m a primary text kind of girl, and this city seems to be my primary text, for all that it changes.

When she was pregnant with me, my mother spent a lot of time in this city trying to pin down a text about a river. (That the irony and the symbolism of this is only now striking me is perhaps as good an argument as any for why we must come back over and over to these texts before they exhaust what they have to teach us.) The river was the Mississippi; the text was Mark Twain’s Life on the Mississippi. Her job was to find every version of the text she could and figure out whether Twain meant to use a semi colon or a comma, whether he preferred school house or school-house or schoolhouse, whether he meant blackness or darkness. The result was this three volume behemoth that you can get from the University of Iowa library (it was supposed to be published as part of a big project, but the big project ran out of money). She found out — or decided — what Twain meant to write in all those instances, and now that text is fixed, very much unlike the river he wrote about, which, as he acknowledged, was changing even as he wrote.

My town has a river that feeds into the Mississippi, and like the Mississippi, it has changed. And it has changed my town, flooding badly twice in my life, once in the summer of 1993, when I lived here, and once just a few years ago, when I was in Wyoming. That second flood in particular changed things. The whole music and art complex at the University was flooded, and many of those departments are still in temporary quarters, some of which have become semi-permanent. The buildings are still there, but they may never again be the buildings I used to run around in as a kid, pounding on pianos and reading the graffiti in open practice rooms and writing melodies on the chalkboards pre-printed with musical staffs.

The old houses around downtown that have been divided up into apartments are still there, but I can no longer aspire to be a twentysomething graduate student living in one of them, because I’ve done that, and I am older now, and changed.

So I just drive around, looking at the houses where I once knew people and the buildings I once ran around in and the things that ought to be there that aren’t there any more and the things that never were there that have now appeared. And I run into people whom I knew, or who knew me, or know my mother, whose lives intersected with mine back when both our lives were different. And people say to me, “Oh, small world!” or sometimes, “Small town,” and those are true, of course, but the feeling is not that. It’s that I’m continually surprised that the past is not prologue, as someone in Shakespeare said, or not just prologue. It is also present.

When I was seventeen, I read Mrs. Dalloway for the first time, and I was floored by it. Floored for a lot of reasons, but floored mostly that there was Mrs. Dalloway, fifty years old, with a husband and a daughter and a house and a party to throw, and she spends a big chunk of the book thinking about the summer she was eighteen. Grown ups were so dismissive of teenagers when I was one that I assumed they must be dismissive of their own teenage years as well. And yet here was proof — proof at least that in fiction, at least in this case, those years were still there. You can go home again. You do go home again, like it or not, or home comes back to you, willy-nilly.

A lot of people move away from their home towns for just this reason. It keeps you, at least, from seeing the Jeep. But I can’t seem to do that. I keep looking — looking at those houses and alleys and buildings and trees. So yeah. Don’t tell me if you get another girl, baby. Just tell me if you get another car. I’ll be looking.

Bon Voyage

October 10th, 2010

Part of the ritual of leaving on a trip, at least if I am flying, is driving to Cody in the dark. Most flights out of COD leave early in the morning, which gives you a passing shot at making a connection in Denver or Salt Lake City, the only places you can fly to directly. So I get up in the dark, carry the last of my garbage out back to the dumpster, throw my bags in the car, and head out.

I could see just the faintest shimmer of the Milky Way outside my yard this morning, and the first half of my trip, along the river valley, up and over the rims, down to the halfway stage stop, was lit only by the stars and the occasional faraway light on a ranch. Around that time the very edge of the sky behind me started to turn gray. It’s funny to me that dawn starts out gray but sunsets don’t end that way. I saw perhaps five cars headed the other way on my drive, which suggests in part our rural existence but also suggests I was driving at the wrong time to catch the morning shift at the oil field, so it’s not all bucolic bliss.

The Cody airport is tiny — it’s about the size of the Cedar Rapids airport, many years ago, before it was remodeled. A Delta affiliate and a United affiliate fly from here, and, as mentioned, you can go to DEN or SLC. I always try to go to Denver, since that airport has free wifi and since my godparents live there, so if I get stuck, I have place to say.

Right now I’m sitting in the lobby, waiting for them to open up the security line. This is the only security checkpoint I’ve been through that has a bootjack, and it cracks me up every time. Fox News (of course) is playing, going on about how they can’t believe that NOW would endorse Jerry Brown after his wife called Meg Whitman A Name and the possibility of The Government banning cell phones in cars. It’s strangely fascinating. I’m particularly fascinated by the backdrops behind the news anchors, which are like static laser light shows. And to think I was impressed as a kid by the CBS newsroom in Chicago. There were typewriters then. Typewriters!

I’m off on this trip to visit friends and family all over the Midwest (Illinois, Iowa, Minnesota, possibly Wisconsin, Indiana, and Michigan). Google tells me I’ll be driving 27 hours over the course of two weeks. Many people seem horrified by this, but it sounds good to me. I think I was a truck driver in a different life.

In a matter of hours, I’ll be landing at O’Hare, smelling fumes of many, many cars for the first time in many months, walking through an airport with more people that I usually see in a week. A man in hunting gear is loading four coolers onto the baggage check counter, presumably with the spoils of his trip. It’s a different world out here, to be sure.

On Home

September 28th, 2010

Half a century later, I barely recognize it
when I search the address on Google Maps
and, via “Street view,” find myself face to face—

foliage overgrown, facade remodeled and painted
a drab brown. I click to zoom: light hits
one of the windows. I can almost see what’s inside.

–from “9773 Comanche Ave.” by David Trinidad

None of my childhood homes are available on Google’s street view yet, which amuses me, as the house I’m in now, in podunksville, is there. But I discovered in my search that one of them, the house we moved to when I was eight and stayed in till I was twelve, is for sale. It’s funny to see your old house, many owners and coats of paint later, for sale, staged by some real estate agent, some things gone, some of the features you added–the wood floors upstairs–now advertised, the window of your bedroom over the garage where you once snuck out at night. I remember helping write copy for the ad we placed for that house when we sold it so long ago. The current ad, sadly, preserves none of my excellent phrasing about the nearness to the park and the nature of the trees in the yard. (Actually, I doubt those things made in to the ad when I was twelve, either, but my mother was good at humoring me.)

The park is still there, but the trees have changed, and the fence is gone, and house is painted a different color. It looks better now, in truth, but it’s not a house I really loved at the time or would ever want to go back to. No, the house I keep hoping to find again, the rooms I keep searching for, the place that still truly says home to me is the house we lived in when I was very, very little, when my father was still alive.

The house had a great many problems, but at ages zero through four, they were mostly lost on me. I did not notice that we had only a clawfoot tub in the bathroom, and that if you wanted to take a shower, you were relegated to a Sears shower stall in the kitchen. I did not notice the peeling wallpaper, the drafts, the door that led outside to a steep dropoff, which confused my mother for many years until the people who eventually bought the house restored the wraparound porch, and suddenly a second door onto the porch made sense. I didn’t really notice any of this: it was just the house where we  lived.

It was a block and a half from the college where my father taught. The college, in a sort of ür-liberal arts college fashion, sat on top of a hill, and at the bottom of the hill, by the sidewalk, was a stone wall that functioned as a sort of terrace between the town and the college proper. In my memory, it is a very tall stone wall, although since I have been back, I realize it is perhaps two feet at most. But in the autumn when I was very little, my father and I would stand or sit on the wall with tall sticks and “fish” for leaves. It is the only fishing I have ever done, and I hesitate to do any real fishing for fear that it would not live up to the original.

There was a garage to the side of the house — one year my father bought my mother an automatic garage door opener for her birthday, and she was deeply irked — and a barn behind it, leftover from when the house was built, in the 1880s, and people still needed barns. It served no real barnlike function, but it did house a great many students bicycles during the winter months. It was a sort of bicycle stable — all late 1970s racing bikes, the sort that Jennifer Beals rode in Flashdance – a thoroughbred stable of bikes. Between the barn and the house my mother had a vegetable garden, and we had a lawn where our friends planted a cherry tree in honor of my christening. The cherry tree is long gone now. Our tenants after we moved to Iowa City kept trying to start cuttings from it for us, but they never survived, and the tree eventually fell to the ravages of time, but for many years our neighbors Dr. John and Mrs. Mary made cherry pies from its harvest every year.

We had two living rooms in the house in Mount Vernon: I suppose at one time they were a front and back parlor. The front living room is where my parents entertained, and I was not allowed to have my toys in there, although I was allowed to hang around when people came over, at least for awhile. I was puzzled by grown up drinks — they sat there with what seemed to me rather small glasses of fluid and then drank them for hours. I would have drained a cup like that in seconds flat. Given the preponderance of alcoholics in academia, and the story my mother tells of a night when they had a party and everyone decided suddenly it would be a good idea to go to Iowa City, twenty miles away, and so they all did, piling into cars and leaving the lights and the stereo on and the doors wide open, I wouldn’t be surprised if some of them were draining their glasses of bourbon in seconds flat, but I never saw it. They seemed to sip.

The back living room contained a number of books, an odd oil portrait of my mother that my parents won at a raffle or auction of some sort, and the corner that was my father’s–a Swedish modern armchair and a hassock, his pipestand, and a small black and white television where he watched football and tennis. I spent as much time as possible sitting on his lap, unless of course my mother was baking, or I needed a balloon that Daddy had blown up tied off, in which case I had to get my mother to do it.

My room, when my parents moved into the house, had had red walls and bright red shag carpeting. My mother decided this was not the place for a baby, and so they had it recarpeted in a soft green, and they painted the walls white, except for one wall that was a pale green, as they’d run out of white paint. The drapes were a dark green and white pattern. I remember the house as having arched windows, although I realize now it was simply that there were arched shapes inlaid in the rectangular windows. My parents slept down the hall from me, and it was my great goal in life to convince them that I was a cat so I could sleep on the bed. Our cat Moby Tom was allowed to sleep on their bed, but I was not, which struck me as unfair, so I would crawl up and curl up as small as I possibly could.

We were poor when we lived in that house, or so I am told. My mother grew vegetables and made applesauce from windfall apples and made her own Bisquick and made all our bread, though that had more to do with my father’s unwillingness to eat storebought bread than with money saving. It was the first and only house my father ever owned, purchased in his late 40s or early 50s, and when we moved to a rental house in Iowa City, he insisted that we had to rent it out, too, instead of selling, because he couldn’t bear to part with the only house he had ever owned.

Daddy died a year after we moved to Iowa City, where we lived in a tiny, shoddy rental house on Rider Street. I was only four and a half when we moved there, and its flaws were no more apparent to me than those of the house in Mount Vernon. It was tiny, but it had an enormous backyard, and there was a girl two houses away who would play with me, even though she was several years older. There were rosebushes and a strawberry patch and a mulberry tree that straddled the line between us and our neighbors, and on my birthday, a few of my friends came over and we had a party. But when I think of my father in that house, I see him stooped, as if the house itself were too small for his 6’1″ frame. He injured his hip when we lived in that house, and had to use a walker for some time, which meant going down its hallways sideways, as they were too narrow for the walker to fit head-on. I know, of course, that the house didn’t kill him, but it is hard not to see it as some sort of factor in his decline.

Perhaps because my father died when I was so very young I remember a great deal about my early childhood in our first house — the ghost stories my father told me about the laundromat, the placement of my crib and later my bed in the green room that used to be red, the windowseat in my father’s office where I sometimes napped, the room where my mother had an ironing board and her sewing machine set up, our neighbor’s dog, Brink, who chased our cat Moby Tom up the telephone pole so many times that they finally kept him chained, and I brought him a piece of balogna every time we went to the butcher shop and fed him my hotdog peels. I remember sitting on the stone curb of our driveway when their kitchen caught on fire, and my mother telling me to Stay Put as she ran across their yard. I sat and watched the firemen run in and out from their truck. In those days, fire trucks were still fire-engine red, not the yellow-green they are today, and that color perhaps sums up everything I have to say about Mount Vernon — the old water tower that I called the pea on toothpicks, the red and green tennis courts, the limestone walls, the computer at the college that occupied a whole room, the way I shuffled through the leaves in the fall in my red and green Winnie the Pooh sweatshirt with the hood pulled up, holding my father’s hand.

That There Banana Bread

August 18th, 2010

I was asked recently at an event for the recipe for the banana bread that I brought, and I thought I might as well put it here, in case anyone else is interested. Of course, the “recipe” for the bread I brought and the actual recipe differ somewhat, less due to improvements or modifications and more due to lack of ingredients and improvisation. I’ll give you the actual recipe first and then note my amendments to the most recent batch. Both are equally good.

This is not my recipe; it comes from a Pillsbury cookbook that belonged to my mother, and it was transcribed by me into my cookbook on March 7, 1986.

Banana Bread

makes one loaf

1 1/4 cups flour
1/2 cup whole wheat flour
1 cup sugar
1 teaspoon baking soda
1 teaspoon salt
3 mashed bananas (overripe)
1/4 cup butter
2 tablespoons orange juice
1/4 teaspoon lemon juice (optional)
1 egg
1/4 to 1/2 cup raisins

Heat oven to 325 degrees. Grease and flour the bottom of a 9″x5″ or 8″x4″ pan. In a large bowl, blend all ingredients. Beat 3 minutes at medium speed. Pour batter into prepared pan. Bake for 60 to 70 minutes. Toothpick check.

Four miniature loaves can be made by using 5″ x 1 1/2″ pans or soup cans. Bake 35 to 40 minutes.

I have never made miniature loaves. Also, I usually use less salt, and I never, ever (unless I’m making it for my mom) add raisins. No no no.

As for the version I made on Sunday:

I used very, very overripe bananas, as I usually do. In fact, they were bananas I had put in the fridge thinking I’d make banana bread really soon and thus chose the fridge over the freezer. I did not make banana bread soon, so these were the ultimate in slimey and unappetizing. It is fine. You can use the worst bananas in the world.

In this case, I actually only had 2 bananas, so I threw in some unsweetened applesauce that I happened to have in order to add the extra moisture. I also did not have orange juice, so I threw in a little lemon juice (I didn’t measure) and added some more sweetener. I was just going to add more sugar, but I’d put the sugar away, and the maple syrup was right there, so I added maybe a teaspoon of that. Again, I didn’t measure.

I usually use my handmixer, but I don’t bother to time things. When I lived with my mother, I used her KitchenAid mixer. I’ve also made it entirely by beating by hand, with a spoon or an egg beater. This works better if your bananas are, as above, seriously soft, and if you melt the butter first, or at least soften it quite a bit. I have never noticed any great difference resulting from softening or melting the butter, if that is your concern. This is a forgiving sort of recipe. I have been making it now for almost 25 years, which is rather astounding.

Enjoy!

On Mother’s Day

May 9th, 2010

So it is Mother’s Day again. I am generally opposed to holidays that seem to exist primarily to support the greeting card industry (I know, I know, Mother’s Day started as an anti-war thing, but let’s face it, it is not celebrated that way any more). The other day, though, I saw my friend Jenna soliciting advice on Facebook for a reproductive rights place to which she could donate on behalf of her step-mother, who had asked for such a donation in lieu of a Mother’s Day gift.

As it happens, I’d been thinking just the other day about how grateful I am that I have never been pregnant and thus have never needed to get an abortion. And that got me thinking about what I would do in such a situation now that I live in the boonies. I grew up in Iowa City, home of the fabulous Emma Goldman Clinic, which currently makes its home in the building once inhabited by my pediatrician’s office. My sophomore year of high school, I joined 400 or so other Iowa Citians outside the clinic when 40 members of Operation Rescue came to town to protest. Someone across the street put Madonna on their boom box and aimed it out the window, and a bunch of us went over to dance to “Papa Don’t Preach,” an odd choice, I suppose, in the circumstances, except that it does contain the line, which we all yelled loudly, “I made my CHOICE!” There’s a newspaper photo of me standing at a Roe v. Wade anniversary rally on the history wall there, and when I used to go there for an annual exam, they’d all say how much they’d liked my most recent column.

Well. I do not live a few blocks away from Emma anymore. In fact, as it turns out, in order to get an abortion, I’d have to go to Billings, two and a half hours away and in another state. I’d have to take a day off work, and get someone to drive me up there, and come up with the money (given that my health insurance won’t pay for psychiatric care, I can’t imagine that it would cover abortion). It would be a pain, but I could do all that. I have money, and friends, and sick leave. Not everyone is so lucky.

Shortly after the passage of Roe v. Wade, my great-grandmother, Harriette Glasner, had a similar realization, and she started Emergency Medical Assistance, a fund that still helps poor women in Florida get abortions. It is one of many such funds around the country, many of them small and local, dedicated to trying to provide the kind of options that I have always taken for granted to women who have never had those options.

So this year for Mother’s Day, with their approval, I made a donation to the National Network of Abortion Funds in honor of my mother and grandmother, and in memory of my great-grandmother. These are the women who raised me, a child who was very much wanted and who was loved and helped out at every turn. My wish for Mother’s Day is that every woman be able to make the choice to become a mother, and that every child be wanted as I was, and have mothers and grandmothers and great-grandmothers like mine.

Me & Bill Ayers: In Which I Pal Around With Terrorists, Remember My Father, and Reaffirm the First Amendment

May 5th, 2010

my autographed copy of Fugitive Days by Bill Ayers

me & Bill Ayers

The picture you’re looking at is my copy of Bill Ayers’s memoir Fugitive Days, inscribed to me in early November of 2001. The inscription reads

To Laura —
With hope — wounded but alive — for a world at peace and in balance.
Best,
Bill Ayers

Ayers’s memoir is only in part an account of his fugitive days. The rest of it is a political autobiography — the story of a person who was born into enormous wealth and privilege after World War II and who went from rather pedestrian boyhood concerns to being concerned with, and appalled by, his country’s involvement in a place called Vietnam, and its callous disregard for those who lived in poverty, those who were born with the wrong color of skin, those who lived and died for his country’s mistakes.

Some readers of this blog will know of Bill Ayers from back when this memoir was published; others from even before that, but most Americans know who he is because his name came up so frequently in the 2008 election. He’s the terrorist Sarah Palin accused Barack Obama of palling around with. He was a founding member of the Weathermen, later the Weather Underground (whoo hoo feminism!), which is what part of Students for a Democratic Society became after its disastrous 1969 convention in Chicago.* The Weather people were responsible for a string of bombings of various targets, including the United States Capitol, although the only lives they ever destroyed were there own, in a botched bomb-making attempt in a New York City townhouse. They were, as terrorist organizations go, actually extremely careful not to take lives with their bombs, although it’s not entirely clear that that was the original intent. The bomb that killed three of their members in that townhouse was packed with nails — it was their imitation of the same kind of anti-personnel bomb that the United States was using in Vietnam.

Ayers’s book was published on September 11, 2001. I interviewed him, by phone, for what had been planned as a simple review of his memoir for a local alternative paper, a day or two later. The first thing I remember doing, after learning about the Twin Towers and the Pentagon, is making a peace sign in the window of my apartment out of masking tape. It stayed there for the next two years. The next things I remember are lying on my futon sofa, listening to NPR and realizing that any chance for peace was far flimsier than my improvised sign. I remember sitting on that same sofa and talking on the phone to Bill Ayers about what a terrible, terrible time it was.

Last Wednesday, April 28, Bill Ayers spoke on the campus of the University of Wyoming, on what would have been my father’s eighty-seventh birthday. Few people are in a position to realize both the irony of that coincidence and its deep appropriateness.

Ayers had been invited to speak earlier in the month by the Social Justice Research Center at the University of Wyoming. Protests poured in — to the University, to sundry officials, even to the governor, and as a result, the Center’s director withdrew the invitation. Shortly thereafter, a University of Wyoming student invited Ayers back to speak on campus. The University of Wyoming said they would not allow him to speak. The student booked an alternative venue, just in case, and Ayers and the student sued the University. The Casper Star Tribune has a collection of articles on the controversy; WyoFile has a more succinct account with links to the final decision by Chief Wyoming US District Judge William F. Downes, a decision which will cheer you greatly and give you hope for the future if, like me, you are a fan of the First Amendment. “When the Weather Underground was bombing the Capitol of the United States in 1971,” Judge Downes writes,

I served in the uniform of my country. Like many of my fellow veterans of that era, even to this day, when I hear the name of that organization, I can scarcely swallow the bile of my contempt for it. The fact remains Mr. Ayers is a citizen of the United States who wishes to speak. He need not offer any more justification than that. The controversy surrounding the past life of Professor Ayers and the widely held public perception of his past conduct cannot serve as a justification to defrock him of the guarantees of the First Amendment.The Bill of Rights is a document for all seasons. We don’t just display it when the weather is fair and put it away when the storm is tempest. To be a free people, we must have the courage to exercise our constitutional rights. To be a prudent people, we have to protect the rights of others, recognizing that that is the best guarantor of our own rights.

In April 1969, when the Weathermen were not yet a fully formed idea, some students at Grinnell College, a small liberal arts college in rural Iowa, decided to turn the American flag upside down as a protest against the Vietnam War. The move, in the context of that time, was not even that radical. The Iowa Young Democrats — Democrats! — had passed a resolution at their convention earlier that year stating that all schools should be encouraged to fly the flag upside down, at half staff — the signal for a ship in distress — for the duration of the war as a symbol of a country in distress. The Grinnell chief of police, however, did see it as a radical act, and he, along with the Poweshiek County sheriff and two sheriff’s deputies came to campus to confiscate the flag. Students organized quickly, with one group going to talk to the President of the college, one group going to write, print, and distribute flyers explaining their action in the community, and one group going to law enforcement headquarters to recapture the flag.

The flag did arrive back on campus, only to be turned upside down and then righted again. My father spent the next two days, from dawn to dusk, standing vigil next to that flag to ensure that no one could turn it upside down again. Some of his students came to stand with him, and eventually convinced him to let them take turns so he could get food, or at least use the bathroom.

My father is generally described as “making the John Birch Society look a little pink around the edges,” and while he did not live long enough for me to solicit his opinions on the Weather Underground, I can guess with great assurance that his opinion would be, if possible, lower than that of Judge Downes. But I like to think that he would have agreed with Downes in another way: I like to think that he would have agreed that Ayers should be allowed to speak, and I like to think that he would, as an academic, shared my disgust with the University of Wyoming for refusing to allow the speech.

I am an odd case for a radical. I was raised on dead white men, and I chose to study them when I got to college. I read the same texts my father did — sometimes from the same books he read — but I came to utterly different conclusions about the world. When I was little, I liked to imagine that heaven was a sort of endless tea/cocktail party, set in brownstone buildings on cobblestone streets, where like minded — and un-like-minded — people would gather to converse and argue. I always liked to imagine my father hanging out with Plato and Aristotle and Samuel Johnson and Thoreau. This is a vision of heaven that I think could only be dreamt up by a faculty brat, and I’m sure it’s far from many people’s ideal. I like to think that someday, though, I may sit around a coffee table with my father and Judge Downes and Bill Ayers and hash over all these things.

In the meantime, I, too, wish for a world at peace and in balance.

*The Weathermen are often blamed for the downfall of SDS, but they don’t deserve all of the credit. I’ve read far more history of student activism in the 1960s than any sane person should, and it’s evident from many accounts that the tactics of the Progressive Labor Party were at least as destructive as the Weathermen were at that convention. As it so happens, I watched the same group use exactly the same tactics to attempt to derail the national convention of United Students Against Sweatshops in the same city thirty-two years later.

The Sit-In, Ten Years Later

April 11th, 2010

My friend the Rev. Sara says that she doesn’t care whether a service is high church or low church so long as it is not sloppy church. I always tell her that she probably shouldn’t come here, because sloppy church is about all we ever have. We are a tiny church in a tiny town, and our priest drives full time for FedEx out of Billings, which is several hours away, and we rely a lot on lay people, and we fumble from time to time, but we manage.

This morning’s fumble was that the person appointed to do the first reading inadvertently read the second reading, so when it came time for me to do that, I figured I’d better read the first one, and I’m glad that I did, because it might have passed over me otherwise. The sermon dealt almost exclusively with the Gospel, which was the story of Doubting Thomas, but it was the first lesson, from Acts, that caught me.

When they had brought them, they had them stand before the council. The high priest questioned them, saying, “We gave you strict orders not to teach in this name, yet here you have filled Jerusalem with your teaching and you are determined to bring this man’s blood on us.” But Peter and the apostles answered, “We must obey God rather than any human authority. The God of our ancestors raised up Jesus, whom you had killed by hanging him on a tree. God exalted him at his right hand as Leader and Savior that he might give repentance to Israel and forgiveness of sins. And we are witnesses to these things, and so is the Holy Spirit whom God has given to those who obey him.”

We are witnesses to these things. That was the line that struck me: We are witnesses to these things, and we must teach about them.

This past week marked the tenth anniversary of the Students Against Sweatshops sit in at the University of Iowa, in which I participated and about which I wrote at great length at the time; the week was covered much more succinctly by the UE News (I am third from the left in the photo). Many of us who were involved did a little reminiscing about it on Facebook on Thursday, the anniversary of the arrests.* Several days later, I am still thinking about it.

The sit-in did not mark the end of the struggle, which continued for more than a year and, which continues today. A few weeks after the sit-in, we held a silent protest in front of Jessup Hall every day at noon for a week or two. We each wore taped to us a sign identifying a worker who had been abused in a sweatshop, and we wore red tape over our mouths to signify the various ways in which we, and they, had been silenced. I have a picture from one of those days, May 4, 2000, which was also the thirtieth anniversary of the killings at Kent State, and one of our number had made a sign commemorating those students, and the ones killed at Jackson State a few days later who are so often forgotten.

Today’s Gospel lesson is perhaps more relevant than I had first thought. Most of us had not seen sweatshop labor firsthand, and yet we believed. We were trying to stand as witnesses, that others might believe.

Mostly they didn’t, or rather they did but they didn’t think our solutions were the right ones, or they thought our solutions would cost the University a lot of money. At that time, the head basketball coach, Steve Alford, had a contract with the University and Nike guaranteeing him a base salary of $900,000 a year, a third of which was to be paid by Nike — unless for any reason Nike did not feel like paying, in which case the University had to make up the different. Kirk Ferentz had a similar contract with Reebok. We wanted the University to hold the people who made Hawkeye apparel (there are, or were, even Hawkeye coffins!) to certain basic standards: people who made the stuff should be paid a living wage and allowed to take bathroom breaks and not forced to take pregnancy tests and allowed to form unions and not have to work twelve hour shifts or work in buildings without proper fire exits. All of that and more still goes on, and we never thought we would end the practices single-handedly. The anti-sweatshop movement targeted collegiate apparel for strategic reasons — it’s a huge market, and the people who produce it are licensed to do so by schools, schools that frequently have human rights policies and thus a sort of lever that we could push. Of course, as you’ve seen, they also have hundred thousand dollar contracts with companies who are very interested in the status quo. The battle at the University of Oregon, alma mater of Phil Knight, the founder of Nike, was particularly wrought: Phil Knight pulled a planned $30 million donation to renovate a stadium because of the University followed through with one of the protesters’ demands.

I was explaining the whole situation, or as much of it as could be explained during idle post-church coffee hour chat, to some people today, and they asked if we got what we wanted. That’s a hard question to answer. We had three demands; the administration gave in to the first one during the sit in. Over the course of the next year they gave in to the next one, sort of. (It dealt with drafting a specific Code of Conduct for licensees; the Code was written, but six companies (including Nike) were allowed to sign a “clarified” Code, one with modifications that stripped it completely of its purpose.** Our actions, and those of the many other students at many other schools, and our many allies, eventually resulted in changes at one factory in Mexico. It’s not much.

But, as the song goes, I think many of us got what we needed. We were fighting not for ourselves but for others, for people we had never met and never would, and I would like to think our efforts had some effect, and that our movement was one of solidarity and not simply of privileged white kids play-acting at revolution, although there was inevitably a certain amount of that. If you asked the administration or the jury that convicted us, that was all there was.

As I wrote way back then, though, that movement, and the ones that followed, and that follow to this day, gave us back tenfold what we gave to it. My work in SAS is part of who I am; in many ways it made me who I am. My understanding of bureaucracy comes from that movement, but also my understanding of courage, of camaraderie, of solidarity, and of hope.

Those of us who participated in the events of ten years ago aren’t currently occupying any buildings, at least not that I know of. But many of us are still working on the same things that led up to that occupation and that followed it — the bitter, hard, day-to-day work of teaching people and talking to people and being witnesses to these things, to poverty and exploitation, to intransigence and willful ignorance. We are witnesses to these things in a figurative sense, as we were then: we know they exist even if we have not stood on those factory floors. But we were witnesses literally to our own experience at that sit-in, to our own calling to obey an authority we considered greater than that of the building we sat in. We were witnesses to these things, and we are still here.

*Among other things, we were reminiscing about what changes technology has wrought. Back then, we had a borrowed cell phone, and to send out email updates, I had to unplug a phone in order to connect my 28.8 modem.

*I can provide documentation about the “clarified” code, but at present it would require going through some boxes and doing some scanning, as the newspapers that covered it don’t seem to have archives of the events online. (Some smart librarian will probably prove me wrong; please do post a link in the comments if you find one.)

On Listening to Ani Difranco

March 31st, 2010

I’m not sure that this post will make very much sense if you don’t, or didn’t, listen to Ani Difranco in the late 1990s or very early 2000s, or if you weren’t in college or shortly out of college at that time, or at least around that age, or if you aren’t female, or if you aren’t, in other words, somewhat like me. But maybe not. I will write it anyway.

The dorm I lived in my first few years of college had a number of what were called triples, inhabited almost exclusively by freshmen — one long room divided into two small rooms by a large wardrobe; one small room, and one larger common room. The three small rooms were bedrooms, although two of them had windows that opened into the hallway. The common room was unfurnished. I heard rumors of people who had living room sets in their common rooms, although I was not friends with any of them. I also heard that the inhabitants of one particular triple routinely “borrowed” furniture from the Rose Parlor, which was this fancy large room with ornate Victorian furniture and a baby grand piano where they served tea every afternoon and champagne to graduating seniors after spring convocation.

Our common room had no such amenities. It had a spare mattress, which we got from our student fellow (my college liked to rename everything — student fellows were what other people would call RAs, although they were assigned pretty much just to freshmen). Eventually it also had an Archie Bunker chair, brought by the father of one of my roommates, and a blue wool rug that had belonged to my mother when she was in college, which she mailed to me. My trunk sat by the window as a sort of table for my coffee pot, and tucked in one corner were two plastic crates that held my boombox on top of them and our combined music collections underneath. It was through that slightly tinny but functional boombox (a sixteenth birthday present from my mother) that I first heard Ani Difranco.

A friend of one of my roommates had loaned her a CD of Out of Range and a cassette of Imperfectly. We had them on constant repeat until the friend wanted them back, and then we made dubs of them and played those on constant repeat. I still have mine — I believe it’s in my car, which still has a tape deck. The next summer we all saw her play at the Newport Folk Festival, and we all got, or dubbed from someone who got, Not a Pretty Girl when it came out, and later Dilate and Living in Clip and Little Plastic Castle. And after that album, I must admit, my interest in her newer music waned. I don’t listen to her old music as much any more, but when I do, it is so good and so poignant, and so much the more so for having been the sound track of my first dorm room, and later my first apartment, and of the sit-in, and of so many other moments.

And sure, every young generation thinks they are different, and thinks they invented sex, and thinks all the other things you have to think before you move on to thinking about how juvenile you were when you thought those things. But they matter, and this is why Ani mattered — and still matters — to me.

I lucked out in many ways. I was born in 1975. I am in various ways a miracle of modern medicine. I got to wear pants (jeans,even!) to school, and I grew up with Free to Be. . . You and Me in a progressive college town. When I was in high school, I saw C. Everett Koop speak and I performed in an educational improv drama group that dealt with teen issues. And what I learned from all that, and from Take Back the Night and the Rape Victim Advocacy Program and the Domestic Violence Intervention Program and the Women’s Resource and Action Center was that it was okay to say no. And that is a good and important lesson, one I feel grateful for to this day.

But Ani — Ani taught me that it was also okay to say yes. Ani sang love triangle songs, and tortured artist songs, and saying no songs, and songs about things that happen when you try to say no and no one listens, and those are all good and important songs. But she also sang

the door opens, the room winces
the housekeeper comes in without a warning
i squint at the muscular motel light
and say, hey good morning
as she jumps, her keys jingle
and she leaves as quickly as she came in
i roll over and taste the pillow with my grin

and she sang

we’re in a room without a door
and i am sure without a doubt
they’re gonna wanna know
how we got in here
and they’re gonna wanna know
how we plan to get out
we better have a good explanation
for all the fun that we had
‘cuz they are coming for us, babe
and they are going to be mad
yeah they’re going to be mad at us

and she sang

‘cuz i don’t care if they eat me alive
i’ve got better things to do than survive
i’ve got a memory of your warm skin in my hand
and i’ve got a vision of blue sky and dry land

and she sang

and maybe you can keep me
from ever being happy
but you’re not going to stop me
from having fun

[lyrics from danah boyd's excellent collection]

If you are a woman in a 19th century novel, I was telling my book discussion group the other day, if you have sex out of wedlock, you get pregnant, do not pass go, do not collect $200. Sometimes you also die, like Tess, or you have to suffer the twin humiliations of wearing a scarlet A and having hundreds of terrible papers written about you.

In the 20th century, that started to change, although it has never gone away entirely. And Ani acknowledges that. If you have sex in an Ani song, you might get pregnant, you might get hurt, the guy might dump you, even later that same night, you might have to have an abortion. And she’s perfectly clear that you can say no. But what Ani made clear was that when you said yes, it was you doing it, and you still were a you — not a plot device, not that blonde who appears in the preview but doesn’t get any credits, not a symbol or an object lesson.

Ani is the person who made me think it might be okay to grow up.